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・ Nativity of Holy Theotokos Church
・ Nativity of Jesus
・ Nativity of Jesus (disambiguation)
・ Nativity of Jesus in art
・ Nativity of Jesus in later culture
・ Nativity of Mary
・ Nativity of Mary, Blessed Virgin Catholic Church
・ Nativity of Our Lord Catholic Church, Chicago
・ Nativity of Our Lord Catholic School
・ Nativity of Our Lord Chapel
・ Nativity of St John the Baptist
・ Nativity of St. John the Baptist Church, Piatra Neamț
・ Nativity of the Blessed Virgin Mary Catholic Church
・ Nativity of the Theotokos
・ Nativity of the Virgin
Nativity of the Virgin (Altdorfer)
・ Nativity of the Virgin (Pietro Lorenzetti)
・ Nativity play
・ Nativity Play (disambiguation)
・ Nativity scene
・ Nativity School (Cincinnati, Ohio)
・ Nativity with St. Francis and St. Lawrence
・ Nativity! (film)
・ NativityMiguel Network of Schools
・ Natività di Gesù
・ Nativization
・ Nativo Lopez
・ Natixis
・ Natixis Global Asset Management
・ Natizabad


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Nativity of the Virgin (Altdorfer) : ウィキペディア英語版
Nativity of the Virgin (Altdorfer)

The ''Nativity of the Virgin'' is a painting by the German Renaissance artist Albrecht Altdorfer, dating to c. 1520, which is currently housed in the Alte Pinakothek of Munich, Germany.
==Description==
The work uses a scenic composition typical of the Danube school of the time. The subject, the birth of Mary, is shown in a secondary location of the lower part of the painting. It includes St. Anne's bed, the midwives with the daughter and St. Joachim riding a stair with something in his hand.
The predominant part of the work is the church background, where angels fly to form a large circle: in the middle is a young angel with a thurible for the incense.

The edifice, symbolizing the analogy between Mary and the Catholic church (a subject later abolished by the Protestant Reformation), is organized in a complicated and original fashion: the ambulatory and the column galleries are Romanesque, the ogival windows are Gothic, the vaults and the shell-shaped niches are in Renaissance style. This attention to architectural elements was typical of Altdorfer's work in the period he spent at the court of Maximilian I.

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